Red Gemini 5K Kit

$650.00
calculated at checkout.
Quantity

Weekend = 1-day rate · Week = 3x day rate · Pickup and return days aren't charged

The Red Gemini does everything the DSMC1 lineup does, but better. This modular camera eliminates unnecessary cables on your build with its smart connections - for faster, easier, essential additions to the body. This workhorse of a camera can write up to 300 MB/s, and can simultaneously record REDCODE RAW, and ProRes or DNXHR/HD. The camera offers dual sensitivity modes for better performance with low light shooting through an improved ISO range. If you need all the versatility of a Red camera, along with higher sensor sensitivity, amazing dynamic range, clean images with less noise, and better shadows, then this is the camera for you!


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        Red Gemini 5K Kit

        Red Gemini 5K Kit

        $650.00
        • (1) Red Gemini 5K Body

          (1) Red DSMC2 Standard OLPF

          (1) Red DSMC2 Base Expander

          (1) SmallRig Base Plate

          (1) SmallRig 15mm Rod Clamp

          (1) SmallRig Top Plate

          (1) Red DSMC2 Side Handle Protective Cover Plate

          (1) Red Top Handle 

          (1) Red Outrigger Side Handle

          (1) Red DSMC2 7" Touch LCD Monitor With Hood

          (1) 19mm Bridge Plate 

          (1) Dovetail 

          (2) 12" - 19mm Rod

          (1) Red AC Power Supply

          (1) IEC Cable 

          (1) Red 512GB Mini-Mag SSD Media Card

          (1) Red 240GB Mini-Mag SSD Media Card

          (1) Red Station Mini-Mag Reader

          (1) Short - USB to Micro-B Cable

          (1) Gold Mount or V-Mount Plate

          (1) PL or EF Mount

          (1) Hard Case

        • $650.00 Day/Weekend Rate
          $1,950.00 Week Rate

          We offer a price match guarantee—if you find a lower advertised rate for the same equipment from another Chicago rental house, we'll match it, no questions asked.

          For custom rental periods or special requirements, contact our team at rentals@cameraambassador.com to discuss tailored pricing.

        • Sensor Type:
          • Gemini 15.4 Megapixel Dual Sensitivity CMOS
          Effective Pixels:
          • 5120 × 3000
          Sensor Size:
          • 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
          Dynamic Range:
          • 16.5+ stops
          Max Frame Rates:
          • 75 fps at 5K Full Height 1.7:1 (5120 × 3000)
          • 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
          • 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
          • 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
          • 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
          Max Data Rates:
          • Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
          • Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
          Playback Frame Rates:
          • 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
          Redcode Settings Range From 2:1 Up To 22:1:
          • 3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
          • 6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
          • 2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
          • 8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
          • 2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
          • 6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
          Redcode Raw Acquisition Formats:
          • 5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
          • 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x
          • 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
          • 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
          • 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
          Apple ProRes:
          • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
          • ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
          • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
          Avid Codecs:
          • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
          • DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
          • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
          • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
          • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
          Color Management:
          • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
          • Variable number of 3D LUT outputs with DSMC2 expander module
          • User-programmable shaper 1D LUTs
          • Tetrahedral interpolation, 16-bit processing
          Audio:
          • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
          • Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
          Remote Control:
          • Integrated R.C.P. WiFi antenna
          • Ethernet, RS232, and GPI Trigger with DSMC2 expander module
          Redcine-X Pro Delivery Formats:
          • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
          • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
          • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
          • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
          Construction:
          • Aluminum Alloy
          Operating Temperature:
          •  32°F to 104°F
          Storage Temperature:
          • -4°F to 122°F
          Relative Humidity:
          • 0% to 85% non-condensing
          Weight:
          • 3.35 lbs (Body with Integrated Media Bay)

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