Red Gemini 5K Kit

Daily:  $650.00
Weekly:   $1,950.00

"The RED Gemini does everything the DSMC1 lineup does, but better. This modular camera eliminates unnecessary cables on your build with its smart connections - for faster, easier, essential additions to the body. This workhorse of a camera can write up to 300 MB/s, and can simultaneously record REDCODE RAW, and ProRes or DNXHR/HD. The camera offers dual sensitivity modes for better performance with low light shooting through an improved ISO range. If you need all the versatility of a RED camera, along with higher sensor sensitivity, amazing dynamic range, clean images with less noise, and better shadows, then this is the camera for you."

- Jordan Graves, Tech  

  • (1) Red Gemini 5K Body
  • (1) Red DSMC2 Standard OLPF
  • (1) Red DSMC2 Base Expander
  • (1) SmallRig Base Plate
  • (1) SmallRig 15mm Rod Clamp
  • (1) SmallRig Top Plate
  • (1) Red DSMC2 Side Handle Protective Cover Plate
  • (1) Red Top Handle 
  • (1) Red Outrigger Side Handle
  • (1) Red DSMC2 7" Touch LCD Monitor With Hood
  • (1) 19mm Bridge Plate 
  • (1) Dovetail 
  • (2) 12" - 19mm Rod
  • (1) Red AC Power Supply
  • (1) IEC Cable 
  • (1) Red 512GB Mini-Mag SSD Media Card
  • (1) Red 240GB Mini-Mag SSD Media Card
  • (1) Red Station Mini-Mag Reader
  • (1) Short - USB to Micro-B Cable
  • (1) Gold Mount or V-Mount Plate
  • (1) PL or EF Mount
  • (1) Hard Case

    $650.00 Day/Weekend Rate
    $1,950.00 Week Rate
    $5,850.00 Month Rate

    • Sensor Type:

    Gemini 15.4 Megapixel Dual Sensitivity CMOS

    • Effective Pixels:

    5120 × 3000

    • Sensor Size:

    30.72 mm x 18.0 mm (Diagonal: 35.61 mm)

    • Dynamic Range:

    16.5+ stops

    • Max Frame Rates:

    75 fps at 5K Full Height 1.7:1 (5120 × 3000)

    96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

    120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

    150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

    240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

    • Max Data Rates:

    Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

    Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

    • Playback Frame Rates:

    23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

    • Redcode Settings Range From 2:1 Up To 22:1:

    3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps

    6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps

    2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps

    8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps

    2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps

    6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

    • Redcode Raw Acquisition Formats:

    5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

    5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

    4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

    3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

    2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

    • Apple ProRes:

    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

    ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

    • Avid Codecs:

    DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

    • Color Management:

    Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

    Variable number of 3D LUT outputs with DSMC2 expander module

    User-programmable shaper 1D LUTs

    Tetrahedral interpolation, 16-bit processing

    • Audio:

    Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

    • Remote Control:

    Integrated R.C.P. WiFi antenna

    Ethernet, RS232, and GPI Trigger with DSMC2 expander module

    • Redcine-X Pro Delivery Formats:

    4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

    1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

    • Construction:

    Aluminum Alloy

    • Operating Temperature:

     32°F to 104°F

    • Storage Temperature:

    -4°F to 122°F

    • Relative Humidity:

    0% to 85% non-condensing

    • Weight:

    3.35 lbs (Brain with Integrated Media Bay)

    Did you know Camera Ambassador has grip trucks too?

    2 Ton Grip Truck
    Daily: $350 | Weekly: $1,050

    3 Ton Grip Truck
    Daily: $450 | Weekly: $1,350

    5 Ton Grip Truck
    Daily: $750 | Weekly: $2,250

    The Camera Ambassador Price Match Guarantee ensure you're getting the best price, every time.If you find a lower price to an item we have available for rental, just shoot us an email with a screen shot and we'll apply the discounted rate to your next order! You shouldn't have to choose budget over quality service & equipment!