Red Gemini 5K Kit

$650.00

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The RED Gemini does everything the DSMC1 lineup does, but better. This modular camera eliminates unnecessary cables on your build with its smart connections - for faster, easier, essential additions to the body. This workhorse of a camera can write up to 300 MB/s, and can simultaneously record REDCODE RAW, and ProRes or DNXHR/HD. The camera offers dual sensitivity modes for better performance with low light shooting through an improved ISO range. If you need all the versatility of a RED camera, along with higher sensor sensitivity, amazing dynamic range, clean images with less noise, and better shadows, then this is the camera for you.

Add-Ons

Rent It With

$250.00

Rent It With

Sachtler Video 18 S1 100mm Ball Head Tripod System

$60.00

Rent It With

(4) Anton Bauer 14V Titon 150 Gold Mount Battery Kit

$100.00

(1) Red Gemini 5K Body
(1) Red DSMC2 Standard OLPF
(1) Red DSMC2 Base Expander
(1) SmallRig Base Plate
(1) SmallRig 15mm Rod Clamp
(1) SmallRig Top Plate
(1) Red DSMC2 Side Handle Protective Cover Plate
(1) Red Top Handle
(1) Red Outrigger Side Handle
(1) Red DSMC2 7" Touch LCD Monitor With Hood
(1) 19mm Bridge Plate
(1) Dovetail
(2) 12" - 19mm Rod
(1) Red AC Power Supply
(1) IEC Cable
(1) Red 512GB Mini-Mag SSD Media Card
(1) Red 240GB Mini-Mag SSD Media Card
(1) Red Station Mini-Mag Reader
(1) Short - USB to Micro-B Cable
(1) Gold Mount or V-Mount Plate
(1) PL or EF Mount
(1) Hard Case
$650.00 Day/Weekend Rate
$1,950.00 Week Rate
$5,850.00 Month Rate
We offer a price match guarantee—if you find a lower advertised rate for the same equipment from another Chicago rental house, we'll match it, no questions asked.
For custom rental periods or special requirements, contact our team at rentals@cameraambassador.com to discuss tailored pricing.
Sensor Type:
Gemini 15.4 Megapixel Dual Sensitivity CMOS
Effective Pixels:
5120 × 3000
Sensor Size:
30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
Dynamic Range:
16.5+ stops
Max Frame Rates:
75 fps at 5K Full Height 1.7:1 (5120 × 3000)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
Max Data Rates:
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
Playback Frame Rates:
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
Redcode Settings Range From 2:1 Up To 22:1:
3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
Redcode Raw Acquisition Formats:
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
Apple ProRes:
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
Avid Codecs:
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
Color Management:
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Audio:
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
Remote Control:
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
Redcine-X Pro Delivery Formats:
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
Construction:
Aluminum Alloy
Operating Temperature:
32°F to 104°F
Storage Temperature:
-4°F to 122°F
Relative Humidity:
0% to 85% non-condensing
Weight:
3.35 lbs (Brain with Integrated Media Bay)
Red Gemini 5K Footage
Our experienced equipment techs offer free phone consultations to discuss your needs in detail. Whether you're comparing cameras, need lens recommendations, or have questions about compatibility and workflow - our techs provide expert guidance based on hands-on experience with our gear.
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Value Commitment: Best Rates Guaranteed

Our Price Match Guarantee ensures you'll never pay more at Camera Ambassador than at other rental houses in Chicago - just show us a competitor's quote and we'll match or beat it! We're committed to offering the best value for filmmakers, so don't hesitate to ask about our price matching.