Red Epic-W Helium 8K Kit

$700.00
calculated at checkout.
Quantity

Weekend = 1-day rate · Week = 3x day rate · Pickup and return days aren't charged

With the Red Epic-W Helium 8K Kit's 34.5 Megapixel CMOS sensor, 16.5+ stops of dynamic range, and RED’s RAW workflow, you’d be hard-pressed to get a bad image out of this camera. Red’s DSMC2 modular body style allows the user to attach any number of cable-less peripherals for full studio-style builds, but in minutes the body can be completely stripped down for gimbal work and anywhere that space and weight-savings are a priority. 


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      Red Epic-W Helium 8K Kit

      Red Epic-W Helium 8K Kit

      $700.00
      •  (1) Red Epic-W 8K Camera Body With Helium Sensor

        (1) Red DSMC2 OLPF - Standard

        (1) Red DSMC2 Base Expander

        (1) SmallRig Base Plate

        (1) SmallRig 15mm Rod Clamp  

        (1) SmallRig Right-Side Plate For Red  

        (1) SmallRig Left-Side Plate For Red

        (1) SmallRig Top Plate For Red  

        (1) Red DSMC2 4.7" Touch LCD Monitor With Monitor Hood

        (1) 19mm Bridge Plate

        (1) 12" - Dovetail

        (2) 12" - 19mm Rod

        (1) Red DSMC2 Side Handle Cover Plate

        (1) Red Outrigger Side Handle

        (1) Red Top Handle

        (1) Red AC Power Supply

        (1) IEC Cable

        (2) Red 512GB Mini-Mag SSD Media Card

        (1) Red Station Mini-Mag Reader

        (1) Short - USB Type-A To Micro-B Cable

        (1) Gold Mount or V-mount Plate

        (1) PL or EF Mount

        (1) Hard Case

      • $700.00 Day/Weekend Rate
        $2,100.00 Week Rate

        We offer a price match guarantee—if you find a lower advertised rate for the same equipment from another Chicago rental house, we'll match it, no questions asked.

        For custom rental periods or special requirements, contact our team at rentals@cameraambassador.com to discuss tailored pricing.

      • Sensor Type:
        • Helium 35.4 Megapixel CMOS 
        Effective Pixels:
        • 8192 × 4320
        Sensor Size:
        • 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
        Dynamic Range:
        • 16.5+ stops
        Signal-to-noise-ratio:
        • 80 dB
        Max Data Rates:
        • Up to 275 MB/s using RED MINI-MAG (512GB & 1TB)
        • Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
        Max Frame Rates 1:
        • 30 fps at 8K (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)
        • 30 fps at 7K (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)
        • 75 fps at 6K (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
        • 96 fps at 5K (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
        • 120 fps at 4K (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
        • 150 fps at 3K (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
        • 240 fps at 2K (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
        Playback Frame Rates:
        • 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
        Redcode Settings:
        • 6:1 REDCODE for 8K Frame (8192 × 4320) at 24 fps
        Range From 2:1 Up To 2 2:1 1:
        • 7:1 REDCODE for 8K (8192 × 4320) at 30 fps
        • 2:1 REDCODE for 4K (4096 × 2160) at 24 fps
        • 4:1 REDCODE for 4K (4096 × 2160) at 60 fps
        Redcode Raw:
        • 8K Frame (8192 × 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
        Acquisition Formats 2:
        • 7K (7168 × 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
        • 6K (6144 × 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
        • 5K (5120 × 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
        • 4K (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
        • 3K (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
        • 2K (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
        Apple ProRes:
        • 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps
        • 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps
        • 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
        Avid Codecs 3:
        • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
        • DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
        • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
        • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
        • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
        Color Management:
        • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
        • Variable number of 3D LUT outputs with DSMC2 expander module
        • User programmable shaper 1D LUTs
        • Tetrahedral interpolation, 16-bit processing
        Audio:
        • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
        • Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
        Remote Control:
        • Integrated REDLINK WiFi antenna 
        • Ethernet, RS232, and GPI Trigger with DSMC2 expander module
        Redcine-x Pro:
        • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
        Delivery Formats:
        • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
        • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG,AVID AAF, MXF
        • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 
        Construction:
        • Magnesium and Aluminum Alloy
        Operating Temperature:
        • 32°F to 104°F
        Storage Temperature:
        •  –4°F to 122°F
        Relative Humidity:
        • 0% to 85% non-condensing
        Weight:
        • 3.35 lbs (Body with Integrated Media Bay)

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