Red Epic-W Helium 8K Kit

Daily:  $700.00
Weekly:   $2,100.00

"8K sensors went from being an often joked about fantasy to an industry-standard in no time. With a 34.5 Megapixel CMOS sensor, 16.5+ stops of dynamic range, and RED’s RAW workflow, you’d be hard-pressed to get a bad image out of this camera. RED’s DSMC2 modular body style allows the user to attach any number of cable-less peripherals for full studio-style builds, but in minutes the body can be completely stripped down for gimbal work and anywhere that space and weight-savings are a priority. I consider RED the LEGO of the cinema world– simple, modular, endless configurations with a very approachable interface for first-time users." 

 - Eric Silver, Lead Tech   

 

  • (1) Red Epic-W 8K Camera Body With Helium Sensor
  • (1) Red DSMC2 OLPF - Standard
  • (1) Red DSMC2 Base Expander
  • (1) SmallRig Base Plate
  • (1) SmallRig 15mm Rod Clamp  
  • (1) SmallRig Right-Side Plate For Red  
  • (1) SmallRig Left-Side Plate For Red
  • (1) SmallRig Top Plate For Red  
  • (1) Red DSMC2 4.7" Touch LCD Monitor With Monitor Hood
  • (1) 19mm Bridge Plate
  • (1) 12" - Dovetail
  • (2) 12" - 19mm Rod
  • (1) Red DSMC2 Side Handle Cover Plate
  • (1) Red Outrigger Side Handle
  • (1) Red Top Handle
  • (1) Red AC Power Supply
  • (1) IEC Cable
  • (2) Red 512GB Mini-Mag SSD Media Card
  • (1) Red Station Mini-Mag Reader
  • (1) Short - USB Type-A To Micro-B Cable
  • (1) Gold Mount or V-mount Plate
  • (1) PL or EF Mount
  • (1) Hard Case


$700.00 Day/Weekend Rate
$2,100.00 Week Rate
$6,300.00 Month Rate

  • Sensor Type:

HELIUM 35.4 Megapixel CMOS 

  • Effective Pixels:

8192 × 4320

  • Sensor Size:

29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

  • Dynamic Range:

16.5+ stops

  • Signal-to-noise-ratio:

80 dB

  • Max Data Rates:

Up to 275 MB/s using RED MINI-MAG (512GB & 1TB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

  • Max Frame Rates 1:

30 fps at 8K (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)

30 fps at 7K (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

  • Playback Frame Rates:

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

  • Redcode Settings:

6:1 REDCODE for 8K Frame (8192 × 4320) at 24 fps

  • Range From 2:1 Up To 2 2:1 1:

7:1 REDCODE for 8K (8192 × 4320) at 30 fps

2:1 REDCODE for 4K (4096 × 2160) at 24 fps

4:1 REDCODE for 4K (4096 × 2160) at 60 fps

  • Redcode Raw:

8K Frame (8192 × 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

  • Acquisition Formats 2:

7K (7168 × 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K (6144 × 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K (5120 × 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

  • Apple ProRes:

422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps

4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps

422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps

  • Avid Codecs 3:

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

  • Color Management:

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

  • Audio:

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

  • Remote Control:

Integrated REDLINK WiFi antenna 

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

  • Redcine-x Pro:

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 

  • Delivery Formats:

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG,AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 

  • Construction:

Magnesium and Aluminum Alloy

  • Operating Temperature:

32°F to 104°F

  • Storage Temperature:

 –4°F to 122°F

  • Relative Humidity:

0% to 85% non-condensing

  • Weight:

3.35 lbs (BRAIN with Integrated Media Bay)

Did you know Camera Ambassador has grip trucks too?

2 Ton Grip Truck
Daily: $350 | Weekly: $1,050

3 Ton Grip Truck
Daily: $450 | Weekly: $1,350

5 Ton Grip Truck
Daily: $750 | Weekly: $2,250

The Camera Ambassador Price Match Guarantee ensure you're getting the best price, every time.If you find a lower price to an item we have available for rental, just shoot us an email with a screen shot and we'll apply the discounted rate to your next order! You shouldn't have to choose budget over quality service & equipment!