Sensor Type:
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
Sensor Maximum Number of Photosites and Size
4608 x 3164
27.99 x 19.22 mm / 1.102x 0.757"
Ø 33.96 mm / 1.337"
Sensor Frame Rates:
0.75 - 120 fps
Photosite Pitch:
6.075 μm
Sensor Active Image Area (photosites):
4.6K 3:2 Open Gate: 4608 x 3164
4.6K 16:9: 4608 x 2592
4K 16:9: 4096 x 2304
4K 2:1: 4096 x 2048
3.3K 6:5: 3328 x 2790
3K 1:1: 3072 x 3072
2.7K 8:9: 2743 x 3086
2K 16:9 S16: 2048 x 1152
Sensor Active Image Area (dimensions):
4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 1.102 x 0.756"
4.6K 16:9: 28.0 x 15.7 mm / 1.102 x 0.618"
4K 16:9: 24.9 x 14.0 mm / 0.980 x 0.551"
4K 2:1: 24.9 x 12.4 mm / 0.980 x 0.490"
3.3K 6:5: 20.22 x 16.95 mm / 0.796 x 0.693"
3K 1:1: 18.7 x 18.7 mm / 0.737 x 0.737"
2.7K 8:9: 16.7 x 18.7 mm / 0.656 x 0.738"
2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276"
Recording File Container Size (pixel):
4.6K 3:2 Open Gate: 4.6K (4608 x 3164)
4.6K 16:9: 4.6K (4608 x 2592), 4K (4096 x 2304)
4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152), HD (1920 x 1080)
4K 2:1: 4K (4096 x 2048)
3.3K 6:5: 3.3K (3328 x 2790), 4K (4096 x 1716)
3K 1:1: 3K (3072 x 3072), 3.8K (3840 x 1920)
2.7K 8:9: UHD (3840 x 2160)
2K 16:9 S16: 2K (2048 x 1152)
Recording File Image Content (pixel):
Identical to Recording File Container Size
Dynamic Range:
17 stops
Exposure Index:
Adjustable from EI 160 - 6400 in 1/3 stops
Shutter:
Electronic shutter, 5.0°- 356° or 1s - 1/8000s
Recording Formats:
MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Media:
Codex Compact Drive 1TB (CA08-1024)
Codex Compact Drive 2TB (CB16-2048)
Recording Frame Rates:
ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps
ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps
ARRIRAW 4K 16:9 - 4K: 55 / 120 fps
ARRIRAW 4K 2:1 - 4K: 65 / 120 fps
ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps
ARRIRAW 3K 1:1 - 3K: 55 / 100 fps
Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps
Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps
Apple ProRes 4K 16:9 - 4K: 100 / 100 fps
Apple ProRes 4K 16:9 - UHD: 120 / 120 fps
Apple ProRes 4K 16:9 - 2K: 120 / 120 fps
Apple ProRes 4K 16:9 - HD: 120 / 120 fps
Apple ProRes 4K 2:1 - 4K: 120 / 120 fps
Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps
Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps
Apple ProRes 3K 1:1 - 3K: 90 / 90 fps
Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps
Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps
Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps
(Compact Drive 1TB / 2TB)
Recording Modes:
Standard real-time recording
Pre-recording
Viewfinder Type:
Multi Viewfinder MVF-2 with 4" flip-out monitor
Viewfinder Technology:
OLED viewfinder display
LCD fold out monitor
Viewfinder Resolution (pixel):
1920 x 1080
Viewfinder Diopter:
Adjustable from -5 to +5 diopters
Color Output:
Rec 709
Rec 2020
Rec 2100 PQ
Rec 2100 HLG
LogC4
Custom Look (ARRI Look File ALF-4)
Look Control:
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
ARRI Look Library
ARRI Textures
White Balance:
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters:
Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
Image Outputs:
2x VF custom CoaXPress connectors for MVF-2 viewfinder
2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
Lens Squeeze Factors:
1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00
Exposure and Focus Tools:
False Color
Zoom
Aperture and Color Peaking
Audio Input:
1x LEMO 6pin balanced stereo line in with 12V power output
(line input max. level +24 dBu correlating to 0 dBFS)
Two built-in microphones for scratch audio
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
Audio Output:
SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)
Audio Recording:
4 channel linear PCM, 24 bit 48 kHz
Remote Control Options:
MVF-2 viewfinder as wired remote control with 10m/33ft cable
Camera Companion App
ARRI Electronic Control System (ECS)
Web-based remote control via Ethernet & WiFi (beta version)
Camera Access Protocol (CAP) via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
Interfaces:
1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
1x SERIAL (LEMO 4-pin) for distance measuring accessories
1x TC (LEMO 5-pin) for timecode In/Out
1x ETH (LEMO 10-pin) for remote control and service
1x SYNC IN (BNC) for Genlock synchronization
1x RET IN (BNC, switchable on SDI 2)
1x USB-C for user setups, look files etc.
1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters
1x Top Interface (5-pin Pogo)
Wireless Interfaces:
Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI ECS lens and camera remote control
Lens Mounts:
ARRI LPL Mount (LBUS)
ARRI PL-to-LPL Adapter
ARRI PL Mount (LBUS)
ARRI EF Mount (LBUS)
Flange Focal Depth:
LPL mount: 44 mm
PL mount: 52 mm
Power Input:
1x PWR (LEMO 8-pin) 1x BAT (camera rear interface / battery adapter) 20.5 - 33.6 V DC
Power Consumption:
~ 90 W (Camera body and MVF-2)
Power Outputs:
1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
1x 12 V (LEMO 2-pin) for 12 V accessory power out
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap
Sound Level:
< 20 dB(A) at 30fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature
Software Licenses:
ALEXA 35 Cine License
Operating Temperature:
-4° F to +113° F @ 95% relative humidity max, non-condensing, splash and dust proof through sealed electronics, IP 51
Storage Temperature:
-22° F to +158° F
Measurements:
5.8”x 6”x 8" (camera body with LPL lens mount)
Weight:
∼6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
