• (1) Arri Alexa Mini LF Camera Body

    (1) Arri Alexa Mini LF Multi Viewfinder - MVF-2

    (1) 1.5' - Arri Alexa Mini LF Viewfinder Cable

    (1) 1.15' - Arri Alexa Mini LF Viewfinder Cable

    (1) Arri 19mm Compact Bridge Plate - CBP-1

    (1) 12" - Arri Dovetail

    (2) 12" - 19mm Rod 

    (2) 8" - 15mm Rod

    (1) Arri Stabilizer Plate For CBP

    (1) Arri 15mm LWS Adapter For CBP-1

    (1) Arri 19mm Rod Mounting Bracket - RMB-3

    (1) Arri 15mm Reduction Insert For 19mm Rod

    (1) Arri Bottom Plate For CBP-1

    (1) Arri Mini Side Bracket - MSB-2

    (1) Arri Alexa Mini LF Side Bracket - MSB-3

    (1) Arri Alexa Mini Adapter Plate - MAP-2A

    (1) Arri Rear Accessory Bracket - RAB-1

    (1) Arri Viewfinder Mounting Bracket - MVB-1

    (1) Arri Mini Viewfinder Cross Pipe For MVB-1

    (2) 4" - 15mm Rod

    (1) Arri Cage Top Handle - CCH-2

    (1) Arri Bebob Gold Mount Power Splitting Box Mk II

    (1) Arri RAB-1 Clamp 2

    (1) Arri Bebob 15mm Rod Mount Adapter

    (1) Arri ECS White Radio Antenna

    (1) Arri Wifi Antenna

    (1) Arri Light 24V Power Supply

    (1) 6.6' - Arri KC-50-S 3-Pin Male XLR To Alexa Mini Power Cable

    (1) IEC Cable

    (2) Arri Codex Compact Drive - 1TB  With Hard Case

    (1) Arri Codex Compact Drive Reader (USB-C)

    (1) Short - USB Type-A To USB Type-C Cable

    (1) Arri LPL Lens Mount With Cap

    (1) Arri PL-To-LPL Lens Mount Adapter With Cap

    (1) Hard Case

     

  • $1,800 Day/Weekend Rate
    $5,400 Week Rate
    $16,200 Month Rate

    We offer a price match guarantee—if you find a lower advertised rate for the same equipment from another Chicago rental house, we'll match it, no questions asked.

    For custom rental periods or special requirements, contact our team at rentals@cameraambassador.com to discuss tailored pricing.

  • Arri Alexa Mini LF Recording Formats Quick Sheet

    Sensor Type:
    • Large Format
    Sensor Size:
    • 36.70 x 25.54 mm / 1.444 x 1.005"
    Sensor Frame Rates:
    • 0.75 - 90 fps
    Sensor Active Image Area – Photosites:
    • LF Open Gate ProRes 4.5K: 4448 x 3096
    • LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    • LF 16:9 ProRes HD: 3840 x 2160
    • LF 16:9 ProRes 2K: 3840 x 2160
    • LF 16:9 ProRes UHD: 3840 x 2160
    • LF 16:9 ARRIRAW UHD: 3840 x 2160
    • LF 2.39:1 ProRes 4.5K: 4448 x 1856
    • LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Sensor Active Image Area – Dimensions:
    • LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
    • LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
    • LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702"
    • LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702"
    • LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
    • LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
    • LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
    • LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
    Recording File Container Size – Pixel:
    • LF Open Gate ProRes 4.5K: 4480 x 3096
    • LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    • LF 16:9 ProRes HD: 1920 x 1080
    • LF 16:9 ProRes 2K: 2048 x 1152
    • LF 16:9 ProRes UHD: 3840 x 2160
    • LF 16:9 ARRIRAW UHD: 3840 x 2160
    • LF 2.39:1 ProRes 4.5K: 4480 x 1856
    • LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Recording File Image Content – Pixel:
    • LF Open Gate ProRes 4.5K: 4448 x 3096
    • LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    • LF 16:9 ProRes HD: 1920 x 1080
    • LF 16:9 ProRes 2K: 2048 x 1152
    • LF 16:9 ProRes UHD: 3840 x 2160
    • LF 16:9 ARRIRAW UHD: 3840 x 2160
    • LF 2.39:1 ProRes 4.5K: 4448 x 1856
    • LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Exposure Latitude:
    • 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the
    • ARRI Dynamic Range Test Chart (DRTC-1)
    Exposure Index:
    • Adjustable from EI 160-3200 in 1/3 stops
    • EI 800 base sensitivity
    Shutter:
    • Electronic shutter, 5.0°- 356° or 1s - 1/8000s
    Recording Formats:
    • MXF/ARRIRAW
    • MXF/Apple ProRes 4444 XQ
    • MXF/Apple ProRes 4444
    • MXF/Apple ProRes 422 (HQ)
    Recording Media:
    • Codex Compact Drives
    Recording Frame Rates:
    • LF Open Gate ProRes 4.5K: 0.75 - 40 fps
    • LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps
    • LF 16:9 ProRes HD: 0.75 - 90 fps
    • LF 16:9 ProRes 2K: 0.75 - 90 fps
    • LF 16:9 ProRes UHD: 0.75 - 60 fps
    • LF 16:9 ARRIRAW UHD: 0.75 - 60 fps
    • LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps
    • LF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps
    Recording Modes:
    • Standard real-time recording
    • No Pre-recording
    • No Intervalometer
    Viewfinder Type:
    • Multi Viewfinder MVF-2 with 4" flip-out monitor
    Viewfinder Resolution;
    • 1920 x 1080 Pixel
    Viewfinder Diopter:
    • Adjustable from -5 to +5 diopters
    Color Output:
    • Rec 709
    • Rec 2020
    • Log C
    • Custom Look (ARRI Look File ALF-2)
    Look Control:
    • Import of custom 3D LUT
    • ASC CDL parameters (slope, offset, power, saturation)
    White Balance:
    • Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
    • Color correction adjustable range from -16 to +16 CC
    • 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
    Filters:
    • Built-in motorized ND filters 0.6, 1.2, 1.8
    • Fixed optical low pass, UV, IR filter
    Image Outputs:
    • 1x proprietary signal output for MVF-2 viewfinder
    • 2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)
    • uncompressed video with embedded audio and metadata
    Lens Squeeze Factors:
    • 1.00
    • 1.25
    • 1.30
    • 1.50
    • 1.65
    • 1.80
    • 2.00
    Exposure and Focus Tools:
    • False Color
    • Zebra
    • Zoom
    • Aperture and Color Peaking
    Audio Input:
    • 1x LEMO 6pin balanced stereo line in with 12V power output
    • (Line input max. level +24dBu correlating to 0dBFS)
    Audio Output:
    • SDI (embedded)
    • 3,5mm stereo headphone jack (on MVF-2)
    Audio Recording:
    • 2 channel linear PCM, 24 bit 48 kHz
    Remote Control Options:
    • MVF-2 viewfinder can act as wired remote control with 10m/33ft cable
    • Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet
    • Camera Access Protocol (CAP) via Ethernet & WiFi
    • GPIO interface for integration with custom control interfaces
    • WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
    • SXU-1 hand-unit with control over one lens channel
    • OCU-1 and Master Grip control of lens and user buttons
    Interfaces:
    • 1x LEMO 5pin LTC Timecode In/Out
    • 1x LEMO 10pin Ethernet for remote control and service
    • 1x BNC SYNC IN
    • 1x LEMO 7pin EXT multi-purpose accessory interface w. RS pin and 24V power output
    • 1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chain-able
    • 1x USB 2.0 in media bay (for user setups, look files etc)
    Wireless Interfaces:
    • Built-in WiFi module (IEEE 802.11b/g)
    • Built-in White Radio for ARRI lens and camera remote control
    Lens Mounts:
    • LPL lens mount with LBUS connector
    • PL-to-LPL adapter
    Flange Focal Depth:
    • LPL mount: 44 mm
    • with PL-to-LPL adapter: 52 mm
    Power Input:
    • 1x LEMO 8pin (10.5-34 V DC)
    Power Consumption:
    • Around 65 W when recording ProRes 4444 with MVF-2 attached
    Power Outputs:
    • 1x Fischer 3pin 24V RS
    • 1x LEMO 2pin 12V
    • 1x LEMO 7pin EXT 24V power output
    Operating Temperature:
    • -4° F to +113° F
    Storage Temperature:
    • -22° F to +158° F
    Sound Level:
    • < 20 dB(A) at 24fps
    Dimensions:
    • 5.5"x5.6"x 7.4" (camera body with LPL lens mount)
    Weight:
    • 6.0 lbs +/- (camera body with LPL lens mount)
  • Our experienced equipment techs offer free phone consultations to discuss your needs in detail. Whether you're comparing cameras, need lens recommendations, or have questions about compatibility and workflow - our techs provide expert guidance based on hands-on experience with our gear.

    Schedule Now

Value Commitment: Best Rates Guaranteed

Our Price Match Guarantee ensures you'll never pay more at Camera Ambassador than at other rental houses in Chicago - just show us a competitor's quote and we'll match or beat it! We're committed to offering the best value for filmmakers, so don't hesitate to ask about our price matching.