"As large format becomes more standard in Hollywood, Arri was quick to develop a versatile and compact camera the can stand toe-to-toe with it’s heftier counterparts. Expanding on their highly successful Alexa Mini line, the Alexa Mini LF comes with two super 35mm sensors stacked on top of each other allowing the operator to shoot in a digital 70mm equivalent. Coming in at only 6lbs, this lightweight camera can easily be stripped down to fly on a gimbal, or kitted out with any of our Arri accessories such as the Master Grips or UDM-1. "
- Austin Taylor, Creative Director & Tech
$1,800 Day/Weekend Rate
$5,400 Week Rate
$16,200 Month Rate
Large Format
36.70 x 25.54 mm / 1.444 x 1.005"
0.75 - 90 fps
LF Open Gate ProRes 4.5K: 4448 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 3840 x 2160
LF 16:9 ProRes 2K: 3840 x 2160
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4448 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
LF Open Gate ProRes 4.5K: 4480 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 1920 x 1080
LF 16:9 ProRes 2K: 2048 x 1152
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4480 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
LF Open Gate ProRes 4.5K: 4448 x 3096
LF Open Gate ARRIRAW 4.5K: 4448 x 3096
LF 16:9 ProRes HD: 1920 x 1080
LF 16:9 ProRes 2K: 2048 x 1152
LF 16:9 ProRes UHD: 3840 x 2160
LF 16:9 ARRIRAW UHD: 3840 x 2160
LF 2.39:1 ProRes 4.5K: 4448 x 1856
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the
ARRI Dynamic Range Test Chart (DRTC-1)
Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
Electronic shutter, 5.0°- 356° or 1s - 1/8000s
MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 (HQ)
Codex Compact Drives
LF Open Gate ProRes 4.5K: 0.75 - 40 fps
LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps
LF 16:9 ProRes HD: 0.75 - 90 fps
LF 16:9 ProRes 2K: 0.75 - 90 fps
LF 16:9 ProRes UHD: 0.75 - 60 fps
LF 16:9 ARRIRAW UHD: 0.75 - 60 fps
LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps
LF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps
Standard real-time recording
No Pre-recording
No Intervalometer
Multi Viewfinder MVF-2 with 4" flip-out monitor
1920 x 1080 Pixel
Adjustable from -5 to +5 diopters
Rec 709
Rec 2020
Log C
Custom Look (ARRI Look File ALF-2)
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Built-in motorized ND filters 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
1x proprietary signal output for MVF-2 viewfinder
2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)
uncompressed video with embedded audio and metadata
1.00
1.25
1.30
1.50
1.65
1.80
2.00
False Color
Zebra
Zoom
Aperture and Color Peaking
1x LEMO 6pin balanced stereo line in with 12V power output
(Line input max. level +24dBu correlating to 0dBFS)
SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)
2 channel linear PCM, 24 bit 48 kHz
MVF-2 viewfinder can act as wired remote control with 10m/33ft cable
Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet
Camera Access Protocol (CAP) via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
SXU-1 hand-unit with control over one lens channel
OCU-1 and Master Grip control of lens and user buttons
1x LEMO 5pin LTC Timecode In/Out
1x LEMO 10pin Ethernet for remote control and service
1x BNC SYNC IN
1x LEMO 7pin EXT multi-purpose accessory interface w. RS pin and 24V power output
1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable
1x USB 2.0 in media bay (for user setups, look files etc)
Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
LPL lens mount with LBUS connector
PL-to-LPL adapter
LPL mount: 44 mm
with PL-to-LPL adapter: 52 mm
1x LEMO 8pin (10.5-34 V DC)
Around 65 W when recording ProRes 4444 with MVF-2 attached
1x Fischer 3pin 24V RS
1x LEMO 2pin 12V
1x LEMO 7pin EXT 24V power output
5.5 x 5.6 x 7.4" (camera body with LPL lens mount)
6.0 lbs +/- (camera body with LPL lens mount)
-4° F to +113° F
-22° F to +158° F
< 20 dB(A) at 24fps
Zeiss EF/PL CP.3 (5) Prime Lens Set $400.00/Day
Arri Codex 1TB Compact Drive $150.00/Day
(4) Anton Bauer Digital 150 Gold Mount Battery Kit $90.00/Day
O'Connor 1030Ds 100mm Ball Head Tripod System $95.00/Day
EasyRig Vario 5 With Serene Arm $250.00/Day
The Camera Ambassador Price Match Guarantee ensure you're getting the best price, every time. If you find a lower price to an item we have available for rental, just shoot us an email with a screen shot and we'll apply the discounted rate to your next order! You shouldn't have to choose budget over quality service & equipment!
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