• (1) Arri Alexa Mini LF Camera Body

    (1) Arri Alexa Mini LF Multi Viewfinder - MVF-2

    (1) 1.5' - Arri Alexa Mini LF Viewfinder Cable

    (1) 1.15' - Arri Alexa Mini LF Viewfinder Cable

    (1) Arri 19mm Compact Bridge Plate - CBP-1

    (1) 12" - Arri Dovetail

    (2) 12" - 19mm Rod 

    (2) 8" - 15mm Rod

    (1) Arri Stabilizer Plate For CBP

    (1) Arri 15mm LWS Adapter For CBP-1

    (1) Arri 19mm Rod Mounting Bracket - RMB-3

    (1) Arri 15mm Reduction Insert For 19mm Rod

    (1) Arri Bottom Plate For CBP-1

    (1) Arri Mini Side Bracket - MSB-2

    (1) Arri Alexa Mini LF Side Bracket - MSB-3

    (1) Arri Alexa Mini Adapter Plate - MAP-2A

    (1) Arri Rear Accessory Bracket - RAB-1

    (1) Arri Viewfinder Mounting Bracket - MVB-1

    (1) Arri Mini Viewfinder Cross Pipe For MVB-1

    (2) 4" - 15mm Rod

    (1) Arri Cage Top Handle - CCH-2

    (1) Arri Bebob Gold Mount Power Splitting Box Mk II

    (1) Arri RAB-1 Clamp 2

    (1) Arri Bebob 15mm Rod Mount Adapter

    (1) Arri ECS White Radio Antenna

    (1) Arri Wifi Antenna

    (1) Arri Light 24V Power Supply

    (1) 6.6' - Arri KC-50-S 3-Pin Male XLR To Alexa Mini Power Cable

    (1) IEC Cable

    (2) Arri Codex Compact Drive - 1TB  With Hard Case

    (1) Arri Codex Compact Drive Reader (USB-C)

    (1) Short - USB Type-A To USB Type-C Cable

    (1) Arri LPL Lens Mount With Cap

    (1) Arri PL-To-LPL Lens Mount Adapter With Cap

    (1) Hard Case

     

  • $1,800 Day/Weekend Rate
    $5,400 Week Rate
    $16,200 Month Rate

    We offer a price match guarantee—if you find a lower advertised rate for the same equipment from another Chicago rental house, we'll match it, no questions asked.

    For custom rental periods or special requirements, contact our team at rentals@cameraambassador.com to discuss tailored pricing.

  • Arri Alexa Mini LF Recording Formats Quick Sheet

    Sensor Type:

    Large Format

    Sensor Size:

    36.70 x 25.54 mm / 1.444 x 1.005"

    Sensor Frame Rates:

    0.75 - 90 fps

    Sensor Active Image Area – Photosites:

    LF Open Gate ProRes 4.5K: 4448 x 3096

    LF Open Gate ARRIRAW 4.5K: 4448 x 3096

    LF 16:9 ProRes HD: 3840 x 2160

    LF 16:9 ProRes 2K: 3840 x 2160

    LF 16:9 ProRes UHD: 3840 x 2160

    LF 16:9 ARRIRAW UHD: 3840 x 2160

    LF 2.39:1 ProRes 4.5K: 4448 x 1856

    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856

    Sensor Active Image Area – Dimensions:

    LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"

    LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"

    LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702"

    LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702"

    LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702"

    LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702"

    LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"

    LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"

    Recording File Container Size – Pixel:

    LF Open Gate ProRes 4.5K: 4480 x 3096

    LF Open Gate ARRIRAW 4.5K: 4448 x 3096

    LF 16:9 ProRes HD: 1920 x 1080

    LF 16:9 ProRes 2K: 2048 x 1152

    LF 16:9 ProRes UHD: 3840 x 2160

    LF 16:9 ARRIRAW UHD: 3840 x 2160

    LF 2.39:1 ProRes 4.5K: 4480 x 1856

    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856

    Recording File Image Content – Pixel:

    LF Open Gate ProRes 4.5K: 4448 x 3096

    LF Open Gate ARRIRAW 4.5K: 4448 x 3096

    LF 16:9 ProRes HD: 1920 x 1080

    LF 16:9 ProRes 2K: 2048 x 1152

    LF 16:9 ProRes UHD: 3840 x 2160

    LF 16:9 ARRIRAW UHD: 3840 x 2160

    LF 2.39:1 ProRes 4.5K: 4448 x 1856

    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856

    Exposure Latitude:

    14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the

    ARRI Dynamic Range Test Chart (DRTC-1)

    Exposure Index:

    Adjustable from EI 160-3200 in 1/3 stops

    EI 800 base sensitivity

    Shutter:

    Electronic shutter, 5.0°- 356° or 1s - 1/8000s

    Recording Formats:

    MXF/ARRIRAW

    MXF/Apple ProRes 4444 XQ

    MXF/Apple ProRes 4444

    MXF/Apple ProRes 422 (HQ)

    Recording Media:

    Codex Compact Drives

    Recording Frame Rates:

    LF Open Gate ProRes 4.5K: 0.75 - 40 fps

    LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps

    LF 16:9 ProRes HD: 0.75 - 90 fps

    LF 16:9 ProRes 2K: 0.75 - 90 fps

    LF 16:9 ProRes UHD: 0.75 - 60 fps

    LF 16:9 ARRIRAW UHD: 0.75 - 60 fps

    LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps

    LF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps

    Recording Modes:

    Standard real-time recording

    No Pre-recording

    No Intervalometer

    Viewfinder Type:

    Multi Viewfinder MVF-2 with 4" flip-out monitor

    Viewfinder Resolution;

    1920 x 1080 Pixel

    Viewfinder Diopter:

    Adjustable from -5 to +5 diopters

    Color Output:

    Rec 709

    Rec 2020

    Log C

    Custom Look (ARRI Look File ALF-2)

    Look Control:

    Import of custom 3D LUT

    ASC CDL parameters (slope, offset, power, saturation)

    White Balance:

    Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps

    Color correction adjustable range from -16 to +16 CC

    1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values

    Filters:

    Built-in motorized ND filters 0.6, 1.2, 1.8

    Fixed optical low pass, UV, IR filter

    Image Outputs:

    1x proprietary signal output for MVF-2 viewfinder

    2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)

    uncompressed video with embedded audio and metadata

    Lens Squeeze Factors:

    1.00

    1.25

    1.30

    1.50

    1.65

    1.80

    2.00

    Exposure and Focus Tools:

    False Color

    Zebra

    Zoom

    Aperture and Color Peaking

    Audio Input:

    1x LEMO 6pin balanced stereo line in with 12V power output

    (Line input max. level +24dBu correlating to 0dBFS)

    Audio Output:

    SDI (embedded)

    3,5mm stereo headphone jack (on MVF-2)

    Audio Recording:

    2 channel linear PCM, 24 bit 48 kHz

    Remote Control Options:

    MVF-2 viewfinder can act as wired remote control with 10m/33ft cable

    Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet

    Camera Access Protocol (CAP) via Ethernet & WiFi

    GPIO interface for integration with custom control interfaces

    WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio

    SXU-1 hand-unit with control over one lens channel

    OCU-1 and Master Grip control of lens and user buttons

    Interfaces:

    1x LEMO 5pin LTC Timecode In/Out

    1x LEMO 10pin Ethernet for remote control and service

    1x BNC SYNC IN

    1x LEMO 7pin EXT multi-purpose accessory interface w. RS pin and 24V power output

    1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chain-able

    1x USB 2.0 in media bay (for user setups, look files etc)

    Wireless Interfaces:

    Built-in WiFi module (IEEE 802.11b/g)

    Built-in White Radio for ARRI lens and camera remote control

    Lens Mounts:

    LPL lens mount with LBUS connector

    PL-to-LPL adapter

    Flange Focal Depth:

    LPL mount: 44 mm

    with PL-to-LPL adapter: 52 mm

    Power Input:

    1x LEMO 8pin (10.5-34 V DC)

    Power Consumption:

    Around 65 W when recording ProRes 4444 with MVF-2 attached

    Power Outputs:

    1x Fischer 3pin 24V RS

    1x LEMO 2pin 12V

    1x LEMO 7pin EXT 24V power output

    Operating Temperature:

    -4° F to +113° F

    Storage Temperature:

    -22° F to +158° F

    Sound Level:

    < 20 dB(A) at 24fps

    Dimensions:

    5.5"x5.6"x 7.4" (camera body with LPL lens mount)

    Weight:

    6.0 lbs +/- (camera body with LPL lens mount)

  • Our experienced equipment techs offer free phone consultations to discuss your needs in detail. Whether you're comparing cameras, need lens recommendations, or have questions about compatibility and workflow - our techs provide expert guidance based on hands-on experience with our gear.

    Schedule Now

Value Commitment: Best Rates Guaranteed

Our Price Match Guarantee ensures you'll never pay more at Camera Ambassador than at other rental houses in Chicago - just show us a competitor's quote and we'll match or beat it! We're committed to offering the best value for filmmakers, so don't hesitate to ask about our price matching.