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Red Scarlet-W 5K Kit

$500.00  / Day
Quantity
- +

"An oldie but a goodie– RED’s Scarlet-W was released as a budget-friendly companion to their Weapon line, making RED’s Super 35 CMOS sensor technology and modular DSMC2 body style attainable to almost anyone. In a world where 4K deliverables are standard, or even required (looking at you, Netflix), being able to shoot 5K with RED’s RAW imaging pipeline allows for a lot of room to play in post. Like all RED camera brains, the Scarlet-W is super intuitive and brings professional quality to budget-conscious filmmakers."

- Eric Silver, Lead Tech  

  • (1) RED Scarlet-W Brain With Dragon 5K Sensor
  • (1) Smallrig Top Plate
  • (1) Red Top Handle
  • (1) 7" Touch Monitor
  • (2) Red 480GB Mini-mag
  • (1) Red Mini-mag Reader
  • (1) USB-C Cable
  • (1) SATA Cable
  • (1) Red AC Power Adapter
  • (1) IEC Cable
  • (1) Red Multitool
  • (1) EF Or PL Mount
  • (1) Hard Fitted Case


$500.00 Day/Weekend Rate
$1,500.00 Week Rate
$4,500.00 Month Rate

  • Sensor Type:

Red Dragon

  • Effective Pixels:

5120 (h) x 2700 (v)

  • Sensor Size:

25.6 mm (h) x 13.5 mm (v) x 28.9 mm (d)

  • Dynamic Range:

16.5+ stops

  • Signal-To-Noise-Ratio:

80 dB

  • Max Data Rates:

Up to 140 MB/s using RED MINI-MAG

  • Max Frame Rates 1:

48 fps at 5K Full Frame (5120 × 2700) and 8:1 REDCODE

60 fps at 5K 2.4:1 (5120 × 2160) and 8:1 REDCODE

100 fps at 4.5K Full Frame (4608 × 2412) and 14:1 REDCODE

120 fps at 4.5K 2.4:1 (4608 × 1944) and 13:1 REDCODE

120 fps at 4K Full Frame (4096 × 2160) and 13:1 REDCODE

150 fps at 4K 2.4:1 (4096 × 1728) and 13:1 REDCODE

160 fps at 3K Full Frame (3072 × 1620) and 10:1 REDCODE

200 fps at 3K 2.4:1 (3072 × 1296) and 10:1 REDCODE

240 fps at 2K Full Frame (2048 × 1080) and 7:1 REDCODE

300 fps at 2K 2.4:1 (2048 × 864) and 7:1 REDCODE

  • Playback Frame Rates:

23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

  • Redcode Compression 1 Settings Range From 2:1 Up To 22:1:

4:1 REDCODE for 5K (5120 × 2700) at 24 fps

8:1 REDCODE for 5K (5120 × 2700) at 48 fps

3:1 REDCODE for 4K (4096 × 2160) at 24 fps

7:1 REDCODE for 4K (4096 × 2160) at 60 fps

  • Redcode Raw Acquisition Formats 2:

5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4.5K Full Frame (4608 × 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

  • Apple ProRes:

Apple ProRes 422 HQ up to 2K (2048 × 1080) and up to 60 fps

Apple ProRes 422 up to 2K (2048 × 1080) and up to 60 fps

Apple ProRes 422 LT up to 2K (2048 × 1080) and up to 60 fps

  • 4k Proxy Recording:

ProRes

AVID

  • Typical Max Recording Time Using Red MINI-MAG 120GB:

5K (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes

5K (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes

4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes

  • Construction:

Aluminum Alloy

  • Weight:

3.5 lbs (Brain with Integrated Media Bay)

  • Operating Temperature:

32°F to 104°F

  • Storage Temperature:

-4°F to 122°F

  • Color Management:

Supports 17×17×17 3D LUTs

Variable number of 3D LUT outputs with Expander Modules

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

  • Audio:

Integrated dual channel digital stereo microphones, uncompressed, 24- bit 48 kHz

Optional 2 additional channels with Expander Module, uncompressed, 24-bit 48 kHz

  • Remote Control:

Built-in Wireless.

Ethernet, RS232, and GPI Trigger with Expander Modules.

  • Redcine-X Pro Delivery Formats:

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, Avid AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4