Red Scarlet-W 5K Kit
"An oldie but a goodie– RED’s Scarlet-W was released as a budget-friendly companion to their Weapon line, making RED’s Super 35 CMOS sensor technology and modular DSMC2 body style attainable to almost anyone. In a world where 4K deliverables are standard, or even required (looking at you, Netflix), being able to shoot 5K with RED’s RAW imaging pipeline allows for a lot of room to play in post. Like all RED camera brains, the Scarlet-W is super intuitive and brings professional quality to budget-conscious filmmakers."
- Eric Silver, Lead Tech 
- (1) RED Scarlet-W Brain With Dragon 5K Sensor
- (1) Smallrig Top Plate
- (1) Red Top Handle
- (1) 7" Touch Monitor
- (2) Red 480GB Mini-mag
- (1) Red Mini-mag Reader
- (1) USB-C Cable
- (1) SATA Cable
- (1) Red AC Power Adapter
- (1) IEC Cable
- (1) Red Multitool
- (1) EF Or PL Mount
- (1) Hard Fitted Case
$500.00 Day/Weekend Rate
$1,500.00 Week Rate
$4,500.00 Month Rate
- Sensor Type:
Red Dragon
- Effective Pixels:
5120 (h) x 2700 (v)
- Sensor Size:
25.6 mm (h) x 13.5 mm (v) x 28.9 mm (d)
- Dynamic Range:
16.5+ stops
- Signal-To-Noise-Ratio:
80 dB
- Max Data Rates:
Up to 140 MB/s using RED MINI-MAG
- Max Frame Rates 1:
48 fps at 5K Full Frame (5120 × 2700) and 8:1 REDCODE
60 fps at 5K 2.4:1 (5120 × 2160) and 8:1 REDCODE
100 fps at 4.5K Full Frame (4608 × 2412) and 14:1 REDCODE
120 fps at 4.5K 2.4:1 (4608 × 1944) and 13:1 REDCODE
120 fps at 4K Full Frame (4096 × 2160) and 13:1 REDCODE
150 fps at 4K 2.4:1 (4096 × 1728) and 13:1 REDCODE
160 fps at 3K Full Frame (3072 × 1620) and 10:1 REDCODE
200 fps at 3K 2.4:1 (3072 × 1296) and 10:1 REDCODE
240 fps at 2K Full Frame (2048 × 1080) and 7:1 REDCODE
300 fps at 2K 2.4:1 (2048 × 864) and 7:1 REDCODE
- Playback Frame Rates:
23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
- Redcode Compression 1 Settings Range From 2:1 Up To 22:1:
4:1 REDCODE for 5K (5120 × 2700) at 24 fps
8:1 REDCODE for 5K (5120 × 2700) at 48 fps
3:1 REDCODE for 4K (4096 × 2160) at 24 fps
7:1 REDCODE for 4K (4096 × 2160) at 60 fps
- Redcode Raw Acquisition Formats 2:
5K Full Frame (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 × 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
- Apple ProRes:
Apple ProRes 422 HQ up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 LT up to 2K (2048 × 1080) and up to 60 fps
- 4k Proxy Recording:
ProRes
AVID
- Typical Max Recording Time Using Red MINI-MAG 120GB:
5K (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes
5K (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes
- Construction:
Aluminum Alloy
- Weight:
3.5 lbs (Brain with Integrated Media Bay)
- Operating Temperature:
32°F to 104°F
- Storage Temperature:
-4°F to 122°F
- Color Management:
Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with Expander Modules
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
- Audio:
Integrated dual channel digital stereo microphones, uncompressed, 24- bit 48 kHz
Optional 2 additional channels with Expander Module, uncompressed, 24-bit 48 kHz
- Remote Control:
Built-in Wireless.
Ethernet, RS232, and GPI Trigger with Expander Modules.
- Redcine-X Pro Delivery Formats:
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
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